Bass tab for Commotion (var.3) by Creedence Clearwater Revival free download and read or play online: file .txt, 8.26 kb has 197 views and 0 downloads.
Commotion.btab
CCR
Basstab by Jan Bjorklund, Finland;
jani_bjorklund@yahoo.se
You are welcome to request for basstabs or standard notation!
Bienvenidos a pedirme transcripciones para el bajo!
TablEdited by Jan Bjorklund
Tuning : E A D G Time Signature: 4/4
tempo 125
| | | | | | | |
|--------------------------------|--------------------------------|
|------------------ 7 bars intro without bass -----------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
| | | | | | | |
|--------------------------------|--------2-------1-----0-0-------|
|--------------------------------|0---------------------------3---|
|--------------------------------|--------------------------------|
|5-------4-------3-------1-------|--------------------------------|
| | | | Traffic in the city turns my
|--------2-------1-----0-0-------|--------2-------1-----0-0-------|
|0---------------------------3---|0---------------------------3---|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
| head|around | | No, no, no, no, no. |
|----2---2-------1-----0-0-------|--------2-------1-----0-0-------|
|0---------------------------3---|0---------------------------3---|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
| | | | Backed up on the|freeway,
|----2---2-------1-----0-0-------|----2---1h2-----1-----0-0-------|
|0---------------------------3---|0---------------------------3---|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
backed up in the|church,| Ev’rywhere you look there’s a
|----2---2---2---1-----0-0-------|----2---2-------1-----0-0-------|
|0---------------------------3---|0---------------------------3---|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
| frown, frown. | Com,commotion | Git, git,
|----2---2-------1-----0-0-------|--------------------------------|
|0---------------------------3---|0---0---0---0---0---0---0---0---|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
| | | Com,commotion | | Git, git
|--------------------------------|--------------------------------|
|0---0---0---0---0---0---0---0---|0---0---0---0---0---0---0---0---|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
| | | | | | | |
|--------------------------------|----------------7-------0-------|
|0---0---0---0---0---0---0---0---|0-----------7-------7-------3---|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
| | | | | | | |
|----------------7-------0-------|----------------7-------0-------|
|0-----------7-------7-------3---|0---0---0---7-------7-------3---|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
| | | | People keep atalkin’, they don’t
|----------------7-------0-------|----------------7-------0-------|
|0---0---0---7-------7-------3---|0-----------7-------7-------3---|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
| | say a word | Jaw, jaw, jaw, jaw, jaw
|----------------7-------0-------|----------------7-------0-------|
|0-----------7-------7-------3---|0-----------7-------7-------3---|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
| | | | Talk up in the white house,
|----------------7-------0-------|----------------7-------0-------|
|0---0---0---7-------7-------3---|0-------0---7-------7-------3---|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
talk up to your door,
| So much goin’ on|I just can’t
|----------------7-------0-------|----------------7-------0-------|
|0-----------7-------7-------3---|0-------0---7-------7-------3---|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
| | hear Com,commotion | Git, git, git, g
|----------------7-------0-------|--------------------------------|
|0-------0---7-------7-------3---|0---0---0---0---0---0---0---0---|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
| | | Com,commotion| | Git, git, git, g
|--------------------------------|--------------------------------|
|0---0---0---0---0---0---0---0---|0---0---0---0---0---0---0---0---|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
| | S O L O | | | | |
|--------------------------------|--------------------------------|
|0---0---0---0---0---0---0---0---|0---0-------3-------0-----------|
|--------------------------------|------------------------3---0---|
|--------------------------------|--------------------------------|
| | | | | | | |
|--------------------------------|--------------------------------|
|0---0-------3-------0-----------|0---0-------3-------0-----------|
|------------------------3---0---|------------------------3---0---|
|--------------------------------|--------------------------------|
| | | | | | | |
|--------------------------------|--------------------------------|
|0-----------3-------0-----------|0-----------3-------0-----------|
|------------------------3---0---|------------------------3---0---|
|--------------------------------|--------------------------------|
| | | | | | | |
|--------------------------------|--------------------------------|
|0---0-------3-------0-----------|0---0-------3-------0-----------|
|------------------------3---0---|------------------------3---0---|
|--------------------------------|--------------------------------|
| | | | | | | |
|--------------------------------|--------------------------------|
|0---0-------3-------0-----------|0---0-------3-------0-----------|
|------------------------3---0---|------------------------3---0---|
|--------------------------------|--------------------------------|
| | | | | | | |
|--------------------------------|--------------------------------|
|0---0-------3-------0-----------|0-----------3-------0-----------|
|------------------------3---0---|------------------------3---4---|
|--------------------------------|--------------------------------|
Hurryin’|to get there so|you | save some time |
|--------2-------1-----0---------|--------2-------1-----0---------|
|0---------------------------3---|0---------------------------3---|
|--------------------------------|--------------------------------|
|--------------------------------|-----------(and so on...) -----|
Transcribe! 6.0 transcription http://www.seventhstring.demon.co.uk/
Created with TablEdit http://www.tabledit.com/
http://www.geocities.com/jani_bjorklund/janis.html?1058405404377